Grete Stern and Gisèle Freund
Two Photographic Modernities in Argentine Exile
Bibliographic Data
| ID | 21995041 |
|---|---|
| Authors | Clara Masnatta (Cal Poly Humboldt, corresponding author) |
| Year | 2021 |
| Volume | 16 |
| Publication date | 2021-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Artelogie (JOURNAL) |
| Journal identifiers | ISSN: 2115-6395 • E-ISSN: 2115-6395 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/artelogie.9242 |
| OpenAlex | W3122541882 |
| Language | EN |
| References cited | 1 |
The article examines the divergent photographic modernities, photo-collage and color photography, as practiced by German-Jewish women photographers Grete Stern and Gisèle Freund who, after fleeing Nazi Europe, relocated to Argentina. The analysis is focused on their photo-portraiture
Ancient history · Archaeology · Art · Art history · Geography · German · Judaism · Nazism · Photography · Stern · Visual arts · History · Italian Fascism and Post-war Society · Photographic and Visual Arts · Photography and Visual Culture
| Citation velocity | historical |
|---|---|
| Highly cited | No |