The Future Screen Logic
Vertical Aspect Ratio, Perception and the Transformation of Commercial Film Editing
Bibliographic Data
| ID | 21996794 |
|---|---|
| Authors | Ömer Faruk Çiftci (0000-0001-6527-2136, Sağlık Bilimleri Üniversitesi, corresponding author) |
| Year | 2026 |
| Volume | 16 |
| Issue | 3 |
| Pages | 1815-1828 |
| Publication date | 2026-07-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Turkish Online Journal of Design Art and Communication (JOURNAL) |
| Journal identifiers | ISSN: 2146-5193 • E-ISSN: 2146-5193 |
| Publisher | Turkish Online Journal of Design, Art and Communication (PUBLISHER) |
| DOI | 10.7456/tojdac.1932958 |
| OpenAlex | W7166872994 |
| Language | EN |
| References cited | 50 |
This study examines how a new “screen logic,” shaped by the intersection of mobile screen ergonomics, vertical video format, and algorithmic feeds, transforms commercial film editing. Treating the vertical format not merely as a technical change but as a perceptual regime that reconstructs the sense of time-space and the viewer-attention relationship, the research argues that in this environment, the commercial film turns into a design problem operating under “conditions of uncertainty.” The study conceptually analyzes the “hook” function of the first 1-3 seconds in vertical commercials, micro-narrative structures, the central role of typography due to silent viewing habits, and the capacity of AI-powered production tools to create modular, speculative prototypes. The findings show that the traditional logic of long-form, linear editing has been replaced by a new editing discipline that is quick to capture attention, legible, conducive to producing platform-specific variants, and optimized for algorithmic distribution logic. In conclusion, it is revealed that the vertical screen regime is already constructing the “future screen logic” that fundamentally reshapes the aesthetics, production economy, and consumption practices of the commercial film
Horizontal and vertical · Perception · Typography · Cinema and Media Studies · Digital Media and Philosophy · Subtitles and Audiovisual Media
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| Highly cited | No |
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