Artificial Intelligence and Comparative Analysis of Art Movements

A Study on Renaissance, Baroque, Impressionism, and Expressionism

Bibliographic Data

ID21997139
AuthorsUmut Kayapinar (0000-0003-2146-6769, Akdeniz University, corresponding author)
Year2025
Issue15- Özel sayı
Pages613-635
Publication date2025-10-20
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSanat ve Tasarım Dergisi (JOURNAL)
Journal identifiersISSN: 2146-9059
PublisherAnadolu University Journal of Art and Design (PUBLISHER)
DOI10.20488/sanattasarim.1804847
OpenAlexW4415351055
LanguageEN
References cited27

This study presents a phenomenological analysis of the images produced by Artificial Intelligence (AI) tools in terms of the characteristics of various art movements such as Renaissance, Baroque, Impressionism, and Expressionism. The main purpose of the research is to reveal the extent to which AI images comply with or differ from the characteristics of the examined art movements—such as line, realism, aesthetics, composition, color, perspective, abstraction, deformation, anatomy, rhythm, and balance—and to assess whether these images can be classified as art. In addition, the study includes the analysis of the art movements within the scope of technology. In the study, the outputs of AI tools in terms of the given keywords were examined, and visual analysis of the works produced and interviews with the artists were used as a methodology to determine the extent to which they capture the essence and characteristics of each art movement. The findings demonstrate how AI interprets and replicates the stylistic features of various art movements and the degree to which it can imitate their defining characteristics

Art world · Interpretative phenomenological analysis · Painting · Aesthetic Perception and Analysis · Art History and Market Analysis

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Open DOIOpen Access