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The Influence of Self-Control on the Artistic and Performing Quality of a Musician

Bibliographic Data

ID21998292
AuthorsAlla Grinchenko (State institution "South Ukrainian National Pedagogical University named after K. D. Ushynsky"), Nataliia Desiatnykova, Nataliіa Desiatnykova (State institution "South Ukrainian National Pedagogical University named after K. D. Ushynsky"), Anzhelina Mamykina (State institution "South Ukrainian National Pedagogical University named after K. D. Ushynsky"), Tetiana Shafarchuk, Tetyana Shafarchuk (0000-0002-1540-2200, State institution "South Ukrainian National Pedagogical University named after K. D. Ushynsky")
Year2020
Volume9
Issue4
Pages47
Publication date2020-12-22
Open AccessYes
TypeARTICLE
VenueJournal of History Culture and Art Research (JOURNAL)
Journal identifiersISSN: 2147-0626 • E-ISSN: 2147-0626
PublisherKarabuk University (PUBLISHER • TR)
DOI10.7596/taksad.v9i4.2949
OpenAlexW3118778231
LanguageEN
References cited7

The article is devoted to the study of the phenomenon of musical performance self-control as a professional quality of a musician, which manifests itself in the comparison, assessment, correction of one's own performance during interpretive work on a musical work. The purpose of the article is to theoretically substantiate the essence and develop methods for the formation of musical - performance self-control of future teachers of musical art in the process of learning to play the piano. The objective is based on theoretical (analysis, generalization, comparison, abstraction, systematization) and empirical (educational observation, creative task) studies. In this study, musical - performance self-control is considered as a conscious, dynamic process that develops based on the natural inclinations and psychological characteristics of the musician-performer and synthesizes the concentration of musical ear, attention, will be aimed at critical assessment and correction of one's own performance of a musical work by the presented auditory standard and planned to perform interpretation. The features of auditory, mechanical, emotional self-control are considered in their functions in the stage-by-stage work on a piece of music. The proposed creative tasks and methods of development, formation, and flexible possession of self-control, contribute to understanding the essence of the creative process, improving the artistic and performing quality of self-preparation of the future music teacher

Art · Cognitive psychology · Linguistics · Musical · Performing arts · Piano · Timbre · Visual arts · Computer Science · Creativity in Education and Neuroscience · Diverse Music Education Insights · Engineering · Neuroscience and Music Perception · Psychology · Artificial Intelligence

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    Angela L Duckworth, Jamie L Taxer et al.•Annual Review of Psychology•2019

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    Open Access•Roy F Baumeister, Kathleen D Vohs et al.•Current Directions in Psychological…•2007

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    Gary E Mcpherson, Siw Graabræk Nielsen et al.•2013

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    Open Access•Olga Stavrova, Tila M Pronk et al.•Self and Identity•2018

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    Open Access•Peter Miksza•Journal of Research in Music…•2007

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    Open Access•Paul Mcintyre•Journal of Research in Music…•1965

Highly citedNo

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