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Discovering the self

In conversation with Dyuti Mittal

Bibliographic Data

ID22003204
AuthorsPartha Bhattacharjee (0000-0003-1581-0076, Amity University, corresponding author), Priyanka Tripathi (0000-0002-9522-3391, Indian Institute of Technology)
Year2021
Volume12
Issue6
Pages1385-1398
Publication date2021-11-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Graphic Novels & Comics (JOURNAL)
Journal identifiersISSN: 2150-4857 • E-ISSN: 2150-4865
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/21504857.2021.2010998
OpenAlexW4200115989
LanguageEN

In this conversation, Partha Bhattacharjee and Priyanka Tripathi will explore Dyuti Mittal’s (New Delhi, India) use of art, visual strategies, and avant-garde techniques she employs in her comics and graphic narratives. Through unusual patterns and unorthodox contents, Dyuti traverses through diverse visual semantics and experiments with the ink pen and colours. Being a contemporary avant-garde comics artist and writer, Mittal is renowned for her comics – Flaw, ‘The Taboo,’ ‘Imagining Loss,’ ‘Love Story,’ ‘I’m Pretentious,’ and ‘Jackals and Arabs’ among the others. She has her signature style of making art and she believes – ‘Do not let the self be defined, but question, search, find your own voice and reflect. Nothing can be built without a strong foundation and nothing is yours but the answers you seek.’ Within and beyond such declarations, graphic design, the art of storytelling, pencilling and inking, and employment of colours with proper implication – are the topics that will be discussed in this conversation. Upon careful analysis of Dyuti’s works, the conversation was conducted in a questionnaire via email

Aesthetics · Art · Comics · Conversation · Epistemology · Literature · Narrative · Nothing · Sociology · Storytelling · Taboo · Visual arts · Anthropology · Comics and Graphic Narratives · Communication · Philosophy

Citation velocityhistorical
Highly citedNo

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