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Silent sequences and ontological entanglement in Shaun Tan’s The Arrival and Pat Grant’s Blue

Bibliographic Data

ID22003368
AuthorsDebra Dudek (0000-0003-2882-8830, Edith Cowan University, corresponding author)
Year2021
Volume12
Issue1
Pages46-56
Publication date2021-01-02
Open AccessNo
TypeARTICLE
VenueJournal of Graphic Novels & Comics (JOURNAL)
Journal identifiersISSN: 2150-4857 • E-ISSN: 2150-4865
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/21504857.2020.1782957
OpenAlexW3037703301
LanguageEN
Citations received1
References cited9

Shaun Tan’s The Arrival depicts the story of a man who leaves his partner and daughter to find a new home for them all in a far away place. Rendered entirely without words, the story is ultimately a utopian narrative that portrays a world in which migrants are greeted with generosity and kindness by the people they encounter upon their arrival. Pat Grant’s Blue also features a story about migration. In Blue, however, the immigrants are treated with suspicion and disdain. Although a local man primarily narrates Blue, many sequences – and especially those panels and pages that feature the unnamed immigrants – contain no verbal text. In this essay, I analyse silent sequences to demonstrate the way familiar objects entangle with characters and readers in these two graphic novels. Although both comics contain multiple instances of such entanglements and silences, I focus upon the beginning and ending of the narratives to demonstrate how Groensteen’s concept of braiding functions in both texts to create aesthetic and ethical connections within the narratives and between characters and readers. I argue that the silent sequences in which these objects appear create an ethics of connection through ontological entanglement

Art · Comics · Generosity · Kindness · Literature · Narrative · Theology · Comics and Graphic Narratives · Digital Games and Media · Digital Storytelling and Education · History · Philosophy

  • Graphic Polyphony in Shaun Tan’s The Arrival

    Kenan Koçak, İlmiye Sarıkaya•Journal of Graphic Novels & Comics•2023

  • Reorienting IR

    Laura Zanotti, Zanotti Laura•International Studies Review•2017

  • Meeting the Universe Halfway

    Karen Barad•Meeting the Universe Halfway•2006

  • Visualising risk in Pat Grant's Blue

    Golnar Nabizadeh•Textual Practice•2017

Citations per year0.33
Citation span2023 - 2023 (1)
Highly citedNo

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