Sarnath Banerjee
Audience, craft and creative politics
Bibliographic Data
| ID | 22003530 |
|---|---|
| Authors | Shilpa Shirishkumar Tanna (0000-0003-1698-9290, Birla Institute of Technology and Science, Pilani, corresponding author), Geetha Bakilapadavu (Birla Institute of Technology and Science, Pilani) |
| Year | 2024 |
| Volume | 15 |
| Issue | 1 |
| Pages | 71-89 |
| Publication date | 2024-01-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Graphic Novels & Comics (JOURNAL) |
| Journal identifiers | ISSN: 2150-4857 • E-ISSN: 2150-4865 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/21504857.2023.2235404 |
| OpenAlex | W4385278487 |
| Language | EN |
| References cited | 21 |
This paper argues that the Indian graphic novelist Sarnath Banerjee’s works evidence a well-imagined ‘ideal reader’. We contend that the process of ascertaining Banerjee’s ideal reader will allow us to appreciate his craft better while examining his creative politics. The paper attempts to delineate such a reader mainly based on substantiation from the texts. It uses supporting material from Banerjee’s interviews and readers’ responses from discussion platforms and reviews. It examines the choices made by Banerjee in the course of the creation of his work in terms of medium and format, language, complexity of form, subject matter, and age to demarcate his readership. It asserts that Banerjee attempts to continually evolve his works, demanding more from himself and his readers, evolving them in the process
Aesthetics · Art · Audience measurement · Craft · Epistemology · Library science · Literature · Media studies · Political science · Politics · Sociology · Subject matter · Visual arts · Comics and Graphic Narratives · Computer Science · Digital Games and Media · Digital Storytelling and Education · History · Law · Philosophy
Discourse across boundaries
Paratext city as text
The Water Wars Novel
Slow Violence and Water Racism in Sarnath Banerjee’s All Quiet in Vikaspuri
Indian Graphic Novels
Mapping Postcolonial Masculinity in Sarnath Banerjee’s The Barn Owl’s Wondrous Capers
Understanding and Appreciating Literary Texts Through Rereading
Sarnath Banerjee’s All Quiet in Vikaspuri as Text/Image Activism and Cli-Fi
Deconstructive Comics
Urban comix
The cracks of post-liberalized India
Intermedial fictions of the "new" metropolis
| Citation velocity | historical |
|---|---|
| Highly cited | No |