Movement as Medicine and Screendance as Survivance

Indigenous Reclamation and Innovation During Covid-19

Bibliographic Data

ID22005038
AuthorsKate Mattingly (0000-0001-8223-6006, University of Utah), Tria Blu Wakpa (0000-0002-3042-0888, University of California, Los Angeles)
Year2021
Volume12
Publication date2021-07-07
Open AccessYes
TypeARTICLE
VenueThe International Journal of Screendance (JOURNAL)
Journal identifiersISSN: 2154-6878 • E-ISSN: 2154-6894
PublisherThe Ohio State University Libraries (PUBLISHER • US)
DOI10.18061/ijsd.v12i0.7821
OpenAlexW3178200017
LanguageEN
Citations received1
References cited12

Indigenous screendance challenges US settler colonial constructions that drive political, environmental, and global injustices, which the Covid-19 pandemic has exacerbated. This article analyzes online workshops taught in 2020 by Rulan Tangen, Founder and Director of DANCING EARTH CREATIONS, as "movement as medicine" and "screendance as survivance." By connecting Tangen's workshops to Indigenous peoples' historical and ongoing uses of dance and the digital sphere for wellbeing and survival, we show how and why these practices provide powerful possibilities to counter settler colonial concepts of anthropocentrism, Cartesian dualism, patriarchy, and chronological time. Tangen's teaching offers ways for humans and more-than-humans—meaning land, cosmos, nonhuman animals, water, and plants—to (re)connect, drawing on the past to imagine the future and building human solidarity, which we theorize as "homecoming." Ultimately, we link our concept of "homecoming" to the Land Back movement because of the vital connections among Indigenous bodies, sovereignty, and survival

Anthropocentrism · Colonialism · Dualism · Environmental ethics · Epistemology · Homecoming · Indigenous · Political science · Politics · Sociology · Sovereignty · Diversity and Impact of Dance · Gender Studies · History · Law · Ecology

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