Two-way Mirrors
Dancing in the Zoomosphere
Bibliographic Data
| ID | 22005049 |
|---|---|
| Authors | Siobhan Murphy (0000-0003-3234-9672, The University of Melbourne, corresponding author) |
| Year | 2021 |
| Volume | 12 |
| Publication date | 2021-07-07 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The International Journal of Screendance (JOURNAL) |
| Journal identifiers | ISSN: 2154-6878 • E-ISSN: 2154-6894 |
| Publisher | The Ohio State University Libraries (PUBLISHER • US) |
| DOI | 10.18061/ijsd.v12i0.7884 |
| OpenAlex | W3180907492 |
| Language | EN |
Dan Graham's work with mirrors and installation from the 1970s provides an unexpected launchpad for understanding the structures underlying perception in Zoom interfaces. The article explores the intricacies of Graham's two-way mirrors as a means to articulate perceptual experiences of dancing in the Zoomosphere, with examples from teaching, choreographing and performing via Zoom during Covid 19 isolation conditions
Aesthetics · Art · Human–computer interaction · Perception · Visual arts · Zoom · Aesthetic Perception and Analysis · Cinema and Media Studies · Computer Science · Engineering · Psychology
| Highly cited | No |
|---|