Queer Chinese Feminist Archipelagos
Shanghai, San Francisco, and Miami
Bibliographic Data
| ID | 22005149 |
|---|---|
| Authors | Alpesh Kantilal Patel (0000-0002-2134-4887, corresponding author) |
| Year | 2021 |
| Volume | 11 |
| Issue | 1-2 |
| Pages | 194-212 |
| Publication date | 2021-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | philoSOPHIA (JOURNAL) |
| Journal identifiers | ISSN: 2155-0905 • E-ISSN: 2155-0891 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/phi.2021.0030 |
| OpenAlex | W4210392804 |
| Language | EN |
| Citations received | 1 |
Martinican-born poet and theoretician Édouard Glissant suggests that a shift to “archipelagic thinking” can allow one to see the world metaphorically as a collection of islands connected to each other. Foregrounding the body and affect, I will consider the exhibition WOMEN 我們, organized by Abby Chen, that traveled from Shanghai (2011) to San Francisco (2012) and Miami (2013) through what I refer to as “archipelagic feeling.” WOMEN 我們 explored queer Chinese feminism, and in a nod to cities in which the venues were located, the curators expanded the checklist at each leg of the tour. In this way, the curators aimed not to essentialize or center queer Chinese feminism but productively connect it to (for example) Latinx subjectivities and Asian-American feminist concerns. In so doing, I suggest this exhibition offers a new framework for thinking about the transnational through both queerness and creolization
Aesthetics · Archipelagic state · Art · Art history · Creolization · Exhibition · Feminism · Foregrounding · Lesbian · Literature · Media studies · Miami · Political science · Queer · Queer theory · Sociology · Anthropology · Asian American and Pacific Histories · Asian Culture and Media Studies · Gender Studies · History · Japanese History and Culture
| Citations per year | 0.5 |
|---|---|
| Citation span | 2024 - 2024 (1) |
| Highly cited | No |