Transformation of Comedy with Streaming Services
The Case of Bartu Ben
Bibliographic Data
| ID | 22007231 |
|---|---|
| Authors | Nisa Yıldırım (0000-0002-7941-4470, corresponding author) |
| Year | 2020 |
| Volume | 8 |
| Issue | 2 |
| Pages | 403-425 |
| Publication date | 2020-12-03 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | CINEJ Cinema Journal (JOURNAL) |
| Journal identifiers | ISSN: 2158-8724 • E-ISSN: 2159-2411 |
| Publisher | University Library System, University of Pittsburgh (PUBLISHER • US) |
| DOI | 10.5195/cinej.2020.300 |
| OpenAlex | W3109505148 |
| Language | EN |
| Citations received | 3 |
| References cited | 2 |
Comedy has always been one ofthe most popular genres in Turkish cinema and television series. As the distinction between film and series has begun to blur in the post-television era, narratives are transforming according to the characteristics of the new medium. Streaming services targeting niche audience offer more freedom to creators of their content.Thisarticle aims tostudy the comedy series Bartu Ben (Its me, Bartu)which is one of the original series of Turkish streaming service Blu TV, in orderto interpret the differences ofthe series from traditional television comedies, and contributionof streaming servicesto the transformation of the genre
Advertising · Art · Business · Comedy · Linguistics · Literature · Media studies · Movie theater · Multimedia · Narrative · Sociology · Turkish · Asian Culture and Media Studies · Cinema and Media Studies · Computer Science · Media Studies and Communication
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2020 - 2025 (6) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 3 |