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Joker

Film, Working Class and Post-Truth

Bibliographic Data

ID22007232
AuthorsYıldırım Uysal (0000-0003-2129-475X, Bursa Uludağ Üni̇versi̇tesi̇, corresponding author)
Year2023
Volume11
Issue2
Pages389-417
Publication date2023-12-20
Open AccessYes
TypeARTICLE
VenueCINEJ Cinema Journal (JOURNAL)
Journal identifiersISSN: 2158-8724 • E-ISSN: 2159-2411
PublisherUniversity Library System, University of Pittsburgh (PUBLISHER • US)
DOI10.5195/cinej.2023.587
OpenAlexW4390034990
LanguageEN
References cited2

The film Joker (2019) garnered huge interest from audiences worldwide and honored at the box office with an amount exceeding one billion dollars. Indeed, Joker has a class and political reflection on society. This article claims that the film Joker is a manifesto against the political forces that prioritize populist, authoritarian, and ruthless capitalist policies all over the world. The aim of our study is to analyze how the class movement is shown and examined in Joker. Joker's anti-system and anti-capitalist stance needs a sociological analysis; this analysis examines how Joker reflects people's subconscious and inspires class resistance. Another important point is to analyze the movie scenes with a descriptive analysis that will help us understand the transformation of the social movement. How the characters are assigned semiotically in the script is another requirement in terms of emphasizing what the film tells implicitly. It is important both to understand the chaos of the working class, which has not yet positioned itself in the production relations of the postmodern period after, and to see the film's recipe for why the working class should not incline towards right-wing populist politics. Understanding these two points will be the most important result and achievement of our study

Aesthetics · Art · Class analysis · Epistemology · Media studies · Political science · Politics · Postmodernism · Social science · Sociology · Subconscious · Ethics, Aesthetics, and Art · Law · Philosophy

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Highly citedNo

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