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The Study of Rubaiyat attributed to Khayyam in Movies

Bibliographic Data

ID22007294
AuthorsMilad Minakar (0000-0002-0624-5928, University of Kashan), Amir Hossein Chitsazian
Year2020
Volume8
Issue2
Pages324-352
Publication date2020-12-03
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCINEJ Cinema Journal (JOURNAL)
Journal identifiersISSN: 2158-8724 • E-ISSN: 2159-2411
PublisherUniversity Library System, University of Pittsburgh (PUBLISHER • US)
DOI10.5195/cinej.2020.271
OpenAlexW3109644713
LanguageEN
Citations received1
References cited1

Among the literati and men of culture of Iran, it is not exaggerated to call Khayyam one of the vaguest figures. One might recognize him certainly and resolutely through his philosophical and scientific works; however, it was his Rubaiyat attributed to him which created many arguments. This paper studies Hakim Omar Khayyam’s Rubaiyat in English and Persian language feature and non-biographical movies; hence, biographical movies depicting factual or imaginary life of Khayyam or any serials, TV productions, documentaries, non- English, non- Persian movies are not included. The aim is to expound any relationships between the film and Rubaiyat; therefore, according to the type of the applied quatrain, movie genre, plot, some categories are propounded to classify the movies in which Khayyam’s quatrains are quoted such as Transiency-Death, Transiency-Carpe Diem, Heaven and Hell, and Determinism. Indeed, these categories can be applied to the theme of the movies or a single scene in which the stanza is quoted

Art · Drama · Heaven · Linguistics · Literature · Persian · Poetry · Stanza · Computer Science · Islamic Studies and History · Philosophy · Politics and Conflicts in Afghanistan, Pakistan, and Middle East

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Unique citing works1
Citations per year0,17
Citation span2020 - 2020 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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