Revolution to Dissolution
‘The White Album's’ techniques, packaging, and songwriting as a reflection of The Beatles and their influence
Bibliographic Data
| ID | 22008232 |
|---|---|
| Authors | Kevin Jones (0000-0002-3859-7821, corresponding author) |
| Year | 2020 |
| Volume | 22 |
| Issue | 1-2 |
| Pages | 31-51 |
| Publication date | 2020-08-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Interdisciplinary Literary Studies (JOURNAL) |
| Journal identifiers | ISSN: 2161-427X • E-ISSN: 1524-8429 |
| Publisher | The Pennsylvania State University Press (PUBLISHER) |
| DOI | 10.5325/intelitestud.22.1-2.0031 |
| OpenAlex | W3094438743 |
| Language | EN |
| Citations received | 1 |
“The BEATLES” a.k.a., the “White Album,” released in November 1968, has sold 24 times Platinum (U.S.) and continues to garner fans and analysis. The following examines the album as reflection of the band, its legacy, song writing, recording and production techniques, and packaging. The White Album reveals individual development and outside influence, as the core faded and different interests led to dissolution. The multi-genre album shows group and solo efforts, along with the politics, maturity, drug and religious inspiration, technology, social norms, and pop culture of tumultuous 1968; an account of how and why is justified
Art · Art history · Literature · Political science · Politics · Sociology · Chemistry · Computer Science · Diverse Musicological Studies · Law · Music History and Culture · Musicology and Musical Analysis
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2023 - 2023 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |