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This Meme Is What We Call Progress”

History-as-Meme, Meme-as-History on 4chan

Bibliographic Data

ID22009492
AuthorsSean Rutherford McEwan (University of Illinois Urbana-Champaign, corresponding author)
Year2020
Publication date2020-02-02
Open AccessYes
TypeARTICLE
VenueAoIR Selected Papers of Internet Research (JOURNAL)
Journal identifiersISSN: 2162-3317 • E-ISSN: 2162-3317
PublisherUniversity of Illinois Libraries (PUBLISHER)
DOI10.5210/spir.v2018i0.10494
OpenAlexW3044525573
LanguageEN
Citations received1
References cited10

Memes “act as the locus of memory”, says Gabriella Coleman of the peculiar relationship 4chan has to its own history, made necessary by the ephemeral nature of large amounts of its content (2009). Rather than having an on-site permanent archive as such, its collective history and memory is sublated into and through the circulation and production of memes. Taking this as a prompt, this paper makes the case for the (re)production, circulation, and referencing of memes as embodiment of a particular historical ontology: a mode of being constructed in relationship to, and through, its own past. Memes, in other words, are a new way of thinking about, and experiencing (digital) history: they contribute to, and are part of, new “infra-structures of feeling” (Coleman 2017). With this in mind, I use Benjamin’s reading of Klee’s Angelus Novus as a framing device to start to think about how memes encourage and embody certain modes of being-in-the-world. I do so in specific reference to 4chan and its privileging of a certain subject position along lines raced, classed and gendered, although possibilities for other forms and spaces are considered. On 4chan, the New Man of neofascism remakes the world memetically, in his own image

Aesthetics · Art · Ephemeral key · Epistemology · Feeling · Linguistics · Literature · Sociology · World Wide Web · Computer Science · Digital Media and Philosophy · History · Philosophy · Psychoanalysis, Philosophy, and Politics · Walter Benjamin Studies Compilation

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    Open Access•Adair Rounthwaite, Nikoloz Nadirashvili et al.•Journal of Cultural Analytics•2026

  • Buy memes low, sell memes high

    I Literat, Sarah van den Berg•Information Communication & Society•2019

  • Theorizing the present

    R Coleman•Cultural Studies•2017

  • User unknown

    Open Access•Lee Knuttila•First Monday•2011

  • Constructing cultural memory

    Lukasz Swiatek•International Journal of Media…•2016

  • Fixing Solutions

    Open Access•R Griffin•Journal of Modern European History•2015

  • Internet memes as contested cultural capital

    Open Access•Asaf Nissenbaum, Limor Shifman•New Media & Society•2015

  • Reactionary modernism

    Jeffrey Herf•Reactionary modernism•1984

  • Indigenous Memes and the Invention of a People

    Open Access•Ryan Frazer, B Carlson•Social Media + Society•2017

  • Reflecting on Post-Fascism

    Open Access•Chamsy El-Ojeili, Chamsy El‐ojeili•Critical Sociology•2019

  • Bourdieu, Social Capital and Online Interaction

    Open Access•Chris Julien•Sociology•2015

Citations per year1
Citation span2026 - 2026 (1)
Highly citedNo

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