From Dialogism to Polyphonic Aesthetics in Werewere-Liking Gnepo’s Ritual Theater Didascalias
Bibliographic Data
| ID | 22013394 |
|---|---|
| Authors | Thaynara Henrique Vieira Lourenço (0000-0002-3516-4959, Universidade de Brasília, corresponding author) |
| Year | 2022 |
| Volume | 17 |
| Issue | 3 |
| Pages | 105-128 |
| Publication date | 2022-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Bakhtiniana Revista de Estudos do Discurso (JOURNAL) |
| Journal identifiers | ISSN: 2176-4573 • E-ISSN: 2176-4573 |
| Publisher | FapUNIFESP (SciELO) (PUBLISHER) |
| DOI | 10.1590/2176-4573e55416 |
| OpenAlex | W4290708799 |
| Language | EN |
| References cited | 2 |
In theater, stage directions function as a particular genre in which the author’s voice is inscribed in the text to indicate the paths of representation. In Werewere-Liking Gnepo’s La veuve diyilèm (2003), they play a broader role. There is a narrative function, sometimes author’s, sometimes character’s that, in a dialogic movement of reception/understanding, triggers multiple independent and polyphonic voices and consciences. To verify this statement, we will discuss the Bakhtinian reflections that will be essential for this study
Aesthetics · Art · Dialogic · Inscribed figure · Linguistics · Literature · Narrative · Politics · Polyphony · Sociology · Historical Linguistics and Language Studies · Language, Metaphor, and Cognition · Linguistics and Discourse Analysis · Philosophy · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |