A potência política da voz da mulher negra
Uma análise de discurso das músicas de Elza Soares
Bibliographic Data
| ID | 22014491 |
|---|---|
| Authors | Jéser Abílio De Souza (0000-0001-8168-0682, Instituto Superior de Ciencias Sociais e Relações Internacionais, corresponding author) |
| Year | 2024 |
| Volume | 15 |
| Issue | 1 |
| Publication date | 2024-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista Tempo Espaço Linguagem (TEL (JOURNAL) |
| Journal identifiers | ISSN: 2177-6644 |
| Publisher | GN1 Sistemas e Publicacoes Ltd. (PUBLISHER) |
| DOI | 10.5935/2177-6644.20240011 |
| OpenAlex | W4399565927 |
| Language | PT |
| Citations received | 1 |
This article aims to interpret the meanings constituted in the lyrics of the albums A Mulher do Fim do Mundo (2015), Deus é Mulher (2018) and Planeta Fome (2019) by Elza Soares, in order to understand the political power of the black woman's voice. The main argument adopts the understanding that the singer's songs are a form of theorizing engaged knowledge and a social practice, both embodied in an intersectional political stance. The analysis was conducted with the application of Norman Fairclough's (2003) textually oriented discourse analysis method, based on the operation of four analytical categories: embodiment, resilience/insubordination, self-definition and empowerment
Art · Humanities · Physics · Brazilian cultural history and politics · Cultural, Media, and Literary Studies · Literature, Culture, and Criticism
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2025 - 2025 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |