Turnês teatrais, afinidades identitárias, trocas de interesses, redes de apoio mútuo e usos políticos do tablado (Rio de Janeiro, 1871)
Bibliographic Data
| ID | 22015336 |
|---|---|
| Authors | Silvia Cristina Martins De Souza (0000-0002-8824-4477, Universidade Estadual de Londrina, corresponding author) |
| Year | 2022 |
| Volume | 24 |
| Issue | 44 |
| Pages | 204-219 |
| Publication date | 2022-06-13 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | ArtCultura (JOURNAL) |
| Journal identifiers | ISSN: 2178-3845 • E-ISSN: 2178-3845 |
| Publisher | PPUFU - Portal de Periódicos da Universidade Federal de Uberlândia (PUBLISHER) |
| DOI | 10.14393/artc-v24-n44-2022-66591 |
| OpenAlex | W4290648355 |
| Language | PT |
This article is part of a field of research that investigates nineteenth century LusoBrazilian theatrical relations as part of a broader movement to transform theater into a transnational cultural form. The Portuguese actor Francisco da Silva Taborda's tour of Rio de Janeiro which took place in 1871 was chosen as the locus of observation, as it was a favorable opportunity to put him in a game of contrasts with the Brazilian actor Francisco Correa Vasques, to which he was compared in Brazilian and Portuguese theater circles. The objective of this exercise is to understand how the tours, by promoting moments of cultural encounters and exchanges, allowed the subjects involved to mobilize different components such as the exchange of interests, mutual support networks, identity affinities and the political uses of the platform, taking into account the prefigured audience and the context in which they were inserted
| Citation velocity | historical |
|---|---|
| Highly cited | No |