Esboços tropicais do Brasil
Arte e política antiescravagista britânica
Bibliographic Data
| ID | 22015363 |
|---|---|
| Authors | Emerson Dionísio Gomes De Oliveira (0000-0002-3705-1667, corresponding author) |
| Year | 2020 |
| Volume | 22 |
| Issue | 41 |
| Pages | 74-89 |
| Publication date | 2020-12-26 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | ArtCultura (JOURNAL) |
| Journal identifiers | ISSN: 2178-3845 • E-ISSN: 2178-3845 |
| Publisher | PPUFU - Portal de Periódicos da Universidade Federal de Uberlândia (PUBLISHER) |
| DOI | 10.14393/artc-v22-n41-2020-58643 |
| OpenAlex | W3113752320 |
| Language | PT |
| References cited | 1 |
In 1840 the newspaper The African Colonizer sent the Danish artist Paul Harro-Harring to Rio de Janeiro. The trip resulted in the series of paintings titled Tropical sketches from Brazil. The author of a controversial biography, Harro-Harring crafted an important set of works that reveal aspects of everyday life of slavery at the Rio de Janeiro coast. This article seeks to understand how the works of Tropical sketches from Brazil relate to Harring's literary and polemista work, setting conditions to undestanding his observational capacity, which is situated between lyric perspective, estrangement and documental registry. Works linked to an ample set of images that derives from expeditions, trips and (missions) dedicated to popularizing natural and human-made landscapes from distant lands
Art · Humanities · African history and culture studies · Global Maritime and Colonial Histories
| Highly cited | No |
|---|