Arte, cine y patrimonio
La documentación audiovisual y el registro experimental de exposiciones museísticas en el film breve moderno sobre arte en México y en Brasil
Bibliographic Data
| ID | 22015431 |
|---|---|
| Authors | Javier Cossalter (0000-0001-5660-6704, corresponding author) |
| Year | 2023 |
| Volume | 25 |
| Issue | 47 |
| Pages | 161-183 |
| Publication date | 2023-12-30 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | ArtCultura (JOURNAL) |
| Journal identifiers | ISSN: 2178-3845 • E-ISSN: 2178-3845 |
| Publisher | PPUFU - Portal de Periódicos da Universidade Federal de Uberlândia (PUBLISHER) |
| DOI | 10.14393/artc-v25-n47-2023-73172 |
| OpenAlex | W4395112033 |
| Language | EN |
This article focuses on the trend of film on art in Mexico and Brazil in the course of the modern cinema and the renewal of the cultural field between the 1950s and 1970s. We will begin by exploring the development of modern cinema in the two territories to establish the effectiveness of the short film and the documentary model. Secondly, we will address the tendency of the film on art in both countries in a general way, with the intention of glimpsing its aesthetic, productive and institutional particularities. In the third instance, we will analyze a corpus of short films on art that creatively record exhibitions in an institutional framework, in order to reflect on the aesthetic experimentation of audiovisual products and the enhancement of heritage value of exhibition spaces and the documented works of art
Art · Humanities · Cinema History and Criticism · Photographic and Visual Arts · Visual Culture and Art Theory
| Highly cited | No |
|---|