Versklavte Replikanten und die Konstruktion von »Whiteness« in Blade Runner und Blade Runner 2049

The release of the anticipated sequel to Blade Runner and the largely unaltered adoption of the spatial and discursive setting in Blade Runner 2049 gave newfound relevance to the topic of the Whiteness of the enslaved replicants. Because Blade Runner positions the enslaved replicants in a discursive framework that repeatedly references African American history and slave narratives, their hyperbolically white depiction has caused concern and criticism among Anglophone scholars. This essay examines the construction of Whiteness in Blade Runner and discursive differences in the sequel Blade Runner 2049 from the perspective of Critical Race Theory, based mainly on the theoretical groundwork of Richard Dyer and Daniel Bernardi. It will outline the construction of whiteness as a means to critically portray the oppressive discourse in both films, by discussing the detachment of the replicants »invisible privileges« of whiteness. In order to appropriately characterize the, on its face very questionable, positioning of enslaved white replicants within a framework of African American slavery, the analysis will establish how both films utilize whiteness to construct a critical depiction of the historically stereotypical connection between blackness and slavery. The epitome of this criticism is to be found in the hyperbolically white stylization of Roy Batty. The depiction of »White Flight« in Blade Runner and Blade Runner 2049 will be discussed against the backdrop of racial Othering. The implied migration of white humans to the superior »Off-World« establishes a fear of the Other and its assimilation in the white population. The exclusion of black characters in the original film, and their inclusion in the sequel, affect the way in which the movie portrays replicants within the framework of African American enslavement. Along with the distinct non-hyperbolic depiction of the white replicants in Blade Runner 2049 , this necessitates an analysis of the perpetuation of the oppressive discourse. This essay aims to establish the analytical fertility of Critical Whiteness Studies within the Germanophone Blade Runner debate

Aesthetics · Art · Art history · Criticism · Depiction · Literature · Narrative · Structural engineering · Engineering · Gender Roles and Identity Studies · German Colonialism and Identity Studies · Gothic Literature and Media Analysis · History

• "Blade Runner's" Post-Individual Worldspace

  Kevin R Mcnamara•Contemporary Literature•1997

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