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Introducing Paul Cobley

A graphic guide

Bibliographic Data

ID22022998
AuthorsE Israel Chávez Barreto (0000-0002-3954-1854, Palacký University Olomouc), Donald Favareau (0000-0002-3457-3646, National University of Singapore, corresponding author)
Year2023
Volume19
Issue1
Pages3-14
Publication date2023-02-23
Open AccessYes
TypeARTICLE
VenueChinese Semiotic Studies (JOURNAL)
Journal identifiersISSN: 2198-9605 • E-ISSN: 2198-9613
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/css-2022-2099
OpenAlexW4324031622
LanguageEN

Within the discipline of semiotics, written text remains the primary mode of communication and analysis, despite the fact that, as all good semioticians know, signs occur in all modalities – which is why we think of artists and musicians, no less than novelists and poets, as applied semioticians par excellence. In 1997, Paul Cobley and Litza Jansz combined the semiotic tools of words and drawings to produce what is undoubtedly one of the most successful and influential texts for the dissemination of semiotic theory: the illustrated graphic guide called Semiotics for beginners (later published as Introducing semiotics ) . On the occasion of this well-deserved festschrift honoring Paul’s life of work in semiotics, the authors felt it most appropriate to pay homage to Paul – and to the graphic guide with which he has inspired countless readers across the world to better understand the fundamentals of semiotics – by once again combining the semiotic tools of words and drawings to illustrate the ideas and history of this master semiotician

Aesthetics · Art · Epistemology · Excellence · Linguistics · Semiosis · Semiotics · Semiotics of culture · Social semiotics · Sociology · Visual semiotics · Digital Humanities and Scholarship · Media, Communication, and Education · Philosophy

Highly citedNo

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Open DOIOpen Access
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