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Judi Dench and Shakespearean Personas in the Twenty First Century

Bibliographic Data

ID22023446
AuthorsSophie Duncan (0009-0006-0751-1315, University of Oxford, corresponding author)
Year2020
Volume5
Issue2
Pages23-37
Publication date2020-02-07
Open AccessYes
TypeARTICLE
VenuePersona Studies (JOURNAL)
Journal identifiersISSN: 2205-5258 • E-ISSN: 2205-5258
PublisherDeakin University (PUBLISHER • AU)
DOI10.21153/psj2019vol5no2art913
OpenAlexW3004520943
LanguageEN
References cited14

Dame Judi Dench’s twenty-first-century theatrical career has defied the expectation that her performance as the Countess in the Royal Shakespeare Company’s 2003 All’s Well That Ends Well would signal the culmination and conclusion of her stage acting career. This article draws on scholarship on the use of retrospection and persona-building to redirect attention from Dench’s conspicuously ‘late’ success in film to map how Dench has led, collaborated in and resisted public constructions of her persona. Shakespeare has been consistently key to this process. While enlisting persona-building strategies inherited from her Shakespearean forebears, Dench has resisted the overt appointment of any kind of Shakespearean ‘successor’ and thus the continuation of Shakespeare performance genealogies. Simultaneously, her role choices have contributed to her persona’s accrued significance as an avatar of moral virtue and authenticity – augmented by her association with the ‘national poet’, Shakespeare, as England’s most prestigious playwright. The article also examines Dench’s persona specifically as an ageing actress, and her significance for discourses of aspirational ageing, ageism, and national investments in the ageing female performer as a public persona

Aesthetics · Art · Humanities · Literature · Performing arts · Persona · Political science · Scholarship · Sociology · Virtue · Aging and Gerontology Research · Gender Studies · Law · Nostalgia and Consumer Behavior

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    Rudolf Arnheim•Art and Visual Perception, Second…•1974

  • The Haunted Stage

    Open Access•Marvin Carlson, Marvin Albert Carlson•The Haunted Stage: The Theatre as…•2001

  • Iron lady to old lady

    Phoebe Pua•Feminist Media Studies•2017

  • Judi Dench's age-inappropriateness and the role of M

    Open Access•Eva Krainitzki•Journal of Aging Studies•2014

  • Toward a Social Deficit Model of Ageing

    Open Access•Keith C Bennett, Keith Bennett et al.•Australian Journal of Social Issues•1977

Highly citedNo

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