Queering Distances and Disoriented Dancing Bodies
Matija Ferlin’s Relational Performances Sad Sam Revisited and The Other for One
Bibliographic Data
| ID | 22030880 |
|---|---|
| Authors | Leo Rafolt (0000-0002-3388-5074, University of Osijek, corresponding author) |
| Year | 2024 |
| Issue | 33 |
| Pages | 117-138 |
| Publication date | 2024-04-15 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | AM Journal of Art and Media Studies (JOURNAL) |
| Journal identifiers | ISSN: 2217-9666 • E-ISSN: 2406-1654 |
| Publisher | Faculty of Media and Communication (PUBLISHER) |
| DOI | 10.25038/am.v0i28.587 |
| OpenAlex | W4399265794 |
| Language | EN |
| References cited | 4 |
The paper argues spatial parameters in defining queer identity, especially in Anglo-American critical discourse, eager to employ it as a strategy for queer performance, or notable, modern, or contemporary dance hermeneutics. Leaning on traditional queer researchers, e.g., Judith Butler, Eve Kosofsky Sedgwick, and José Esteban Muñoz, to name just a few of them, as well as on materialist concepts of the body, affects, the human touch, etc., a deep analysis of two Matija Ferlin’s performance projects is offered, precisely from a perspective of queer resistance to dominant heteronormative paradigms of -’orientation’-, -’identification-’, and ’affectuality’
Aesthetics · Art · Sociology · Art, Politics, and Modernism · Cinema and Media Studies · Eastern European Communism and Reforms · Gender Studies · Psychology
| Highly cited | No |
|---|