Theme “Man and Nature” in the Poetry of Peter Komarov

The author’s elaboration of the content and poetics of landscape and natural history lyrics of the Far Eastern poet, winner of the Stalin Prize of the third degree P. S. Komarov (1911—1949) is presented. The novelty of the research lies in the fact that the poet’s work has practically not been studied. The relevance of the study is due to the attention of modern literary criticism to the problems of the literary process of the Soviet period, as well as interest in literary and regional studies. The idea is substantiated that the theme “man and nature” was central in the poetry of P. S. Komarov. It is noted that the dominant principle in the disclosure of this topic were the ideas of all-unity and participation. The question is raised about the nature of the reflection of the ideas of the era in the lyrics: in particular, the points of intersection of the poetic perception of the world in the poems of the “Green Belt” cycle with the ideas of Russian cosmism are revealed. Observations on the specifics of the poetics of Komarov’s landscape lyrics were carried out: the form of the landscape-ecphrasis, the artistic functions of the landscape detail, color painting, toponymy, panoramic image were revealed; some images-motives (nature-garden, nature-book; motive of the brotherhood of the memory of the earth) is revealed. The unique materials of literary criticism of the second half of the 1940s, associated with the assessment of Komarov’s work are presented in the article

Aesthetics · Art · Criticism · Literary criticism · Literature · Lyrics · Poetics · Poetry · Arctic and Russian Policy Studies · History · Philosophy · Regional Socio-Economic Development Trends · Soil and Environmental Studies