Motive of “Liberated Soul” as a World-Modeling Universal in Lyrics of S. Parnok

The article is devoted to the analysis of the motif-figurative paradigm of the Silver Age poetess S. Parnok’s lyrics. The author’s attention is focused on the ways of stylistic representation of the world-modeling universals of the poetic world of S. Parnok, an important place among which belongs to the motive of the “liberated soul”. It is a starting point in the construction of the author’s picture of the world, in the center of which the path of the lyrical heroine to her soul underlies: its comprehension, acceptance of its contradictions and embodiment in a creative act. The novelty of the study is in the analysis of S. Parnok’s lyrics as an integral compositional and stylistic unity, structured by poetic leitmotifs. The relevance of the article is due to the appeal to the problematic field of research on poetic style. The authors made an attempt to deepen and expand scientific ideas about the stylistic phenomenon of women’s poetry of the Silver Age based on the analysis of S. Parnok’s lyrics. The conclusions of the study substantiate the semantic load and the functional role of the “liberated soul” motif in structuring the author’s poetic picture of the world. It is shown that the leading methods of its representation are metaphorization, epithets, including synesthetic ones, antithesis, oxymoron, at the level of syntactic organization — gradation, enjambment technique

Aesthetics · Antithesis · Art · Epistemology · Exaggeration · Linguistics · Literal and figurative language · Literature · Lyrics · Metaphor · Oxymoron · Poetry · Simile · Soul · Discourse Analysis and Cultural Communication · Language, Communication, and Linguistic Studies · Philosophy · Psycholinguistics and Behavioral Studies · Psychology