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Three Fundamental Principles of Image of Heavenly Rose in “Divine Comedy” by Dante Alighieri

Bibliographic Data

ID22039385
AuthorsSvetlana G Gorbovskaya (0000-0003-4077-1769, St Petersburg University, corresponding author)
Year2023
Volume12
Issue4
Pages280-297
Publication date2023-05-29
Open AccessYes
TypeARTICLE
VenueNauchnyi Dialog (JOURNAL)
Journal identifiersISSN: 2225-756X • E-ISSN: 2227-1295
PublisherOOO Centr naucnyh i obrazovatelnyh proektov (PUBLISHER)
DOI10.24224/2227-1295-2023-12-4-280-297
OpenAlexW4381570626
LanguageEN
Citations received1
References cited2

The theme of the image fundamental principles of the heavenly rose (rosa candida) in Dante Alighieri’s poem “The Divine Comedy” is considered. The relevance of the study lies in the unquenchable acute interest of literary critics in issues related to the poem itself, Dante’s work, as well as to the study of the symbolism of the rose as a literary, visual and cultural phenomenon. It is shown that in Dante’s poem this theme is revealed through the image of a rose in the last part of the comedy “Paradise”. The author of the article traces the history of the formation of a rose image in ancient and medieval literature, architecture, icon painting, as well as the species distribution of the rose plant in medieval Europe. The signs of Dante’s inheritance of those semantic features of the rose that had developed in the texts by the 14th century are revealed. It has been established that Dante could well compare the heavenly rose with an architectural detail — a rose window decorated with stained-glass windows depicting God, Jesus and the Virgin, as well as with a view of Rosa Alba — a white rose, one of the oldest among those brought to Europe. In conclusion, the author of the article points out all the impulses for the birth of the heavenly rose and the characteristic features of these borrowings in Dante’s text

Art · Art history · Biology · Divine comedy · Literature · Painting · Paradise · Poetry · Agriculture and Biological Studies · Byzantine Studies and History · Diverse Scientific Research in Ukraine · Philosophy

  • Plant Image in Literary Texts as an Object of Literary Analysis

    Open Access•Svetlana G Gorbovskaya, N S Tyrkheeva et al.•Nauchnyi Dialog•2025

  • Ut architectura poesis? The case of Dante'scandida rosa

    John C Barnes•The Italianist•1986

Citations per year1
Citation span2025 - 2025 (1)
Highly citedNo

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