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Eschatological and Apocalyptic Motives in Russian Contemporary Art

Bibliographic Data

ID22041648
AuthorsAnna Suvorova (0000-0002-6421-8514, corresponding author)
Year2024
Issue3
Pages24-33
Publication date2024-06-01
Open AccessYes
TypeARTICLE
VenueArticult (JOURNAL)
Journal identifiersISSN: 2227-6165 • E-ISSN: 2227-6165
PublisherRussian State University for the Humanities (PUBLISHER • RU)
DOI10.28995/2227-6165-2024-3-24-33
OpenAlexW4402975650
LanguageEN

The relevance of the study is due to the appeal in contemporary Russian Art of eschatological and apocalyptic issues, themes of catastrophism, the finality of being and the world without a person, etc. The purpose of the study is to identify key strategies and concepts that embody the experience of the end of time, the feeling of a catastrophe, extinction and the ways of the existence of future humanity in Russian contemporary art. The study based on the analysis art projects of the early 21st century by Russian artists (Peter Belyi, Dmitry Kawarga, art-groupe «Where Dogs Run»). The results ot the study showed tendencies of reflection of the apocalyptic and post-apocalyptic themes: 1) a world without a person, experiencing the end of time as a space of emptiness and ruins; 2) Chthulucene as a new future, “human composting” and tentacular thinking; 3) symbiosis of figures and creatures, avoidance of man; 4) digital apocalypse and digital immortality

Aesthetics · Art · Discourse Analysis and Cultural Communication · Library Science and Information · Religious Studies and Spiritual Practices

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