From Idealism to New Marxism. Part 2. Boris Vipper
Bibliographic Data
| ID | 22041745 |
|---|---|
| Authors | Alexander V Markov (0000-0001-6874-1073, corresponding author) |
| Year | 2021 |
| Issue | 3 |
| Pages | 115-124 |
| Publication date | 2021-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Articult (JOURNAL) |
| Journal identifiers | ISSN: 2227-6165 • E-ISSN: 2227-6165 |
| Publisher | Russian State University for the Humanities (PUBLISHER • RU) |
| DOI | 10.28995/2227-6165-2021-3-115-124 |
| OpenAlex | W4206604412 |
| Language | EN |
| Citations received | 2 |
Boris Vipper’s project, which authoritatively substantiated the order of operations of the art historian when dealing with various material, was part of an intellectual quest to overcome the contradictions between the formalist understanding of the visual and the neo-Kantian variation of the Ding an sich. These searches in the GAKhN art criticism uncovered two other contradictions: between individual interest in an aesthetic fact and collective experience as the basis of empathy, and between interpretation as a principle of isolation and thematization of social experience and art’s own dynamics as a manifestation of its autonomy. Wipper's early works deal with these contradictions, but unlike the GAKhN colleagues, he asserted the autonomy of artistic worlds, bringing sign and character together. The rejection of the recognition of the autonomy of the social in his later works did not go beyond this convergence, but allowed him to defend the autonomy of art, not directly, but in some terminological caveats. The way of reasoning of the late Vipper is based on a different concept of style than that of the formalists, which allows him to accept Marxism without accepting the ideology of genius, and in his discussion of the causes of art evolution to approach the neo-Marxist understanding of practices and institutionalization not through a change of theoretical optics, but through a reduction of terminology and overcoming the inertia of common turns of phrase
Aesthetics · Art · Autonomy · Epistemology · Genius · Ideology · Linguistics · Literature · Marxist philosophy · Sociology · Art, Politics, and Modernism · Law · Philosophy
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,67 |
| Citation span | 2023 - 2023 (1) |
| Citation velocity | historical |
| Highly cited | No |