Collapse tactics in performing arts
On the urgency of surviving and standing up
Bibliographic Data
| ID | 22051580 |
|---|---|
| Authors | Gisele Soares De Vasconcelos (0000-0003-2551-3251, Universidade Federal do Rio de Janeiro), Nicolle Silva Machado (0000-0003-1741-5547, Universidade Federal de Uberlândia) |
| Year | 2022 |
| Volume | 12 |
| Issue | 2 |
| Publication date | 2022-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista Brasileira de Estudos da Presença (JOURNAL) |
| Journal identifiers | ISSN: 2237-2660 • E-ISSN: 2237-2660 |
| Publisher | FapUNIFESP (SciELO) (PUBLISHER) |
| DOI | 10.1590/2237-2660123084 |
| OpenAlex | W4293199246 |
| SciELO | S2237-26602022000200603 |
| Language | EN |
| References cited | 5 |
This article evokes The Tower tarot card as an allegory to discuss collapse tactics within a specific performing arts project: the research staging process of the play The Vagabond, a One-Woman Music-Hall Show, developed during the Covid-19 global pandemic and produced by the Xama Teatro group (Maranhão state, Brazil). It reveals possible alternatives for a combined writing process of both script and staging, based on experiences of vulnerability and drawing on collapse as a tactic to provoke a process that constantly feeds back into itself. The procedures that stand out in the process are: improvising in an atelier environment; choosing references and mapping thematic fields; exploring problems; and experimenting with performative programs as a means to insist on surviving the Covid 19 global pandemic
Aesthetics · Allegory · Art · Art history · Computer security · Improvisation · Performative utterance · Performing arts · Sociology · Studio · The arts · Visual arts · Arts and Performance Studies · Computer Science · History · Urban and sociocultural dynamics
| Highly cited | No |
|---|