Naming is Dominating? Universalization of theater and epistemic silencing about Afro-Brazilian scenic manifestations
Bibliographic Data
| ID | 22051602 |
|---|---|
| Authors | Alexandra Gouvêa Dumas (0000-0001-8622-9591, Universidade Federal da Bahia, corresponding author) |
| Year | 2022 |
| Volume | 12 |
| Issue | 4 |
| Publication date | 2022-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista Brasileira de Estudos da Presença (JOURNAL) |
| Journal identifiers | ISSN: 2237-2660 • E-ISSN: 2237-2660 |
| Publisher | FapUNIFESP (SciELO) (PUBLISHER) |
| DOI | 10.1590/2237-2660121806vs02 |
| OpenAlex | W4312267129 |
| SCIELO_PID | S2237-26602022000400351 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
By considering theater as one of the many scenic manifestations of humanity, this textual digression intends to denaturalize its universalization by placing it in the historical and cultural context of the Brazilian colonization process. Based on studies on epistemic racism and aesthetic racism, it is questioned the excluding centrality of white-western theater used in the reading of the multiple manifestations of scenic character of African matrix gestated and produced in the Brazilian diaspora
Aesthetics · Art · Diaspora · Humanity · Literature · Racism · Sociology · Theology · Universalization · Arts and Performance Studies · Gender Studies · History · Literature, Culture, and Criticism · Philosophy · Psychology · Race, Identity, and Education in Brazil · Social Psychology
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2025 - 2025 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |