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Perception, Torsion, Event

Links between body, discourse and art

Bibliographic Data

ID22051764
AuthorsIacopo Costa (0000-0002-4635-2824, Universidade Federal do Rio Grande do Sul, corresponding author)
Year2021
Volume11
Issue1
Publication date2021-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRevista Brasileira de Estudos da Presença (JOURNAL)
Journal identifiersISSN: 2237-2660 • E-ISSN: 2237-2660
PublisherFapUNIFESP (SciELO) (PUBLISHER)
DOI10.1590/2237-266093262
OpenAlexW3093529411
SCIELO_PIDS2237-26602021000100201
LanguageEN
References cited1

This study is based on the identification of the subject and his/her social place in the performance, in order to connect subject, body, and gesture in the performing act. This link becomes possible from the discursive analysis of the sixth dimension of the performing activity: an updating of Schechner’s theory of performance, in conjunction with the postulates of Merleau-Ponty on perception, and Pêcheux on discourse. Results indicate an opportunity for a materialistic analysis of the field of sensitive experimentation, emphasizing the theoretical unfolding of the notion of perception in the analytical act consolidated in the feeling and action of/by the subject’s body

Epistemology · Feeling · Gesture · Linguistics · Materialism · Perception · Computer Science · Linguistics and Education Research · Mathematics · Philosophy · Psychology · Semiotics and Representation Studies · Social Psychology · Urban and sociocultural dynamics

  • How To Do Things With Words

    J L Austin, John Austin•How to do things with words•1975

Citation velocityhistorical
Highly citedNo

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