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Circus Dramaturgy and Memory

Sparse notes from a historian who weaves antics

Bibliographic Data

ID22051796
AuthorsLara Rocho (0009-0003-3616-2255, Universidade Federal do Rio Grande do Sul, corresponding author)
Year2025
Volume15
Issue2
Publication date2025-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRevista Brasileira de Estudos da Presença (JOURNAL)
Journal identifiersISSN: 2237-2660 • E-ISSN: 2237-2660
PublisherFapUNIFESP (SciELO) (PUBLISHER)
DOI10.1590/2237-2660139920vs02
OpenAlexW4410695363
LanguageEN
References cited3

Circus Dramaturgy and Memory: sparse notes from a historian who weaves antics – This article discusses possible ways of relating contemporary circus dramaturgy and memory. Starting from an expanded notion of dramaturgy, it considers circus dramaturgy within the context of democratization of knowledge beyond traditional boundaries, such as the circus canvas and traditional family structures, and the consequent opening to hybrid and collaborative creation processes. In dialogue with Cultural History, it proposes the understanding of artistic creation as a poetic record of memory. It seeks to address the creative dimension of memory rather than its monumental one. Finally, it contains sparse notes on the importance of considering the memory of creative processes themselves

Art · Dramaturgy · Visual arts · Computer Science · Diversity and Impact of Dance · Theater, Performance, and Music History · Theatre and Performance Studies

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    Open Access•Cristina Alves de Macedo•Cena•2022

  • Cultura e representações, uma trajetória

    Open Access•Sandra Jatahy Pesavento•Anos 90•2006

  • Circo-Teatro

    Open Access•Luis Felipe Kojima Hirano•Ponto Urbe•2008

Citation velocityhistorical
Highly citedNo

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