Soft Interventions
Bibliographic Data
| ID | 22056047 |
|---|---|
| Authors | Jane Vuorinen (corresponding author) |
| Year | 2021 |
| Volume | 10 |
| Issue | 4 |
| Publication date | 2021-03-07 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Tahiti (JOURNAL) |
| Journal identifiers | ISSN: 2242-0665 • E-ISSN: 2242-0665 |
| Publisher | Tahiti (PUBLISHER) |
| DOI | 10.23995/tht.103180 |
| OpenAlex | W3164329742 |
| Language | EN |
| Citations received | 1 |
| References cited | 4 |
Recently there has been a growing number of artists working between photography and digital art, creating artworks in which the signs of digital operations have been left visible. I focus on three contemporary artists who use photography as a starting point in a process in which the work done in the digital environment of photography editing software is an equally important creative phase as the initial taking of the photograph: Andrey Bogush, Liina Aalto-Setälä, and Aaron Hegert. Starting from a reconfiguration of single authorship, I examine what kinds of subjectivities and agencies these works and practices produce, and how producing and encountering the works through screens affect our understanding of them. I stress the activity and agency of the editing software as an integral part of the artistic process. The three main areas of inquiry are originality, collaborative models of production, and authenticity. In the analysis, automatization becomes a generative engine, and the editing software a site for artistic creation, rather than a mere post-production tool
Art · Multimedia · Originality · Photography · Qualitative research · Social science · Sociology · Visual arts · Artistic and Creative Research · Computer Science · Digital Media and Philosophy · Software
| Citations per year | 0.5 |
|---|---|
| Citation span | 2024 - 2024 (1) |
| Highly cited | No |