El tiempo embotellado
La versión de “Lucerito Alba” del Purahéi Trio y las relaciones entre modernización musical y modernización socioeconómica en Paraguay
Bibliographic Data
| ID | 22057071 |
|---|---|
| Authors | Gabriel Rezende (0000-0002-8567-1190, Universidade Federal da Integração Latino-Americana, corresponding author) |
| Year | 2025 |
| Volume | 13 |
| Issue | 2 |
| Publication date | 2025-12-05 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | El oído pensante (JOURNAL) |
| Journal identifiers | ISSN: 2250-7116 • E-ISSN: 2250-7116 |
| Publisher | Universidad de Buenos Aires (PUBLISHER) |
| DOI | 10.34096/oidopensante.v13n2.16875 |
| OpenAlex | W4417203720 |
| Language | EN |
Based on the Purahéi Trio's version of the polka-song "Lucerito Alba" (Eladio Martínez), released in the album Paraguay Purahéi (2014), this paper addresses and discusses the relationship between modernization of popular music and socioeconomic modernization. The immanent critique of the song unfolds a historical-sociological commentary on the development of popular music in Paraguay, aiming to highlight the tension between the emergence of modern historical temporality and the efforts to contain its transformative force. The conclusions points to the exhaustion of the dynamic established between musical modernization and socioeconomic modernization throughout the 20th century
Modernization theory · Musical · Socioeconomic status · Temporality · Transformative learning · Diverse Musicological Studies · Indigenous Studies in Latin America · Latin American Cultural Politics
| Highly cited | No |
|---|