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Cine español en la Argentina

La exportación del nacionalismo ruralista

Bibliographic Data

ID22059138
AuthorsEmeterio Diez Puertas (0000-0002-2206-0480, Camilo José Cela University, corresponding author)
Year2020
Volume2
Issue15
Pages42-65
Publication date2020-01-01
Open AccessYes
TypeARTICLE
VenueRIHC Revista Internacional de Historia de la Comunicación (JOURNAL)
Journal identifiersISSN: 2255-5129 • E-ISSN: 2255-5129
PublisherEditorial Universidad de Sevilla (PUBLISHER • ES)
DOI10.12795/rihc.2020.i15.03
OpenAlexW3119023532
LanguageES
References cited1

The first Francoism created a film policy based on autarky, that is, on strict control of foreign trade for both economic and ideological reasons. It was necessary to control the balance of payments and the ideology of foreign governments. This is how, after the Second World War, Argentina became the main partner of the regime. Above all because the importation of cereals is vital to alleviate hunger. Moreover, to solidify these relationships, a cultural exchange is encouraged in which the cinema plays an important role. Specifically, the purpose of these pages is to study the commercial, artistic, moral, and critical impact of the Spanish rural drama exported by Spain to Argentina in the period from 1944 to 1947. It is intended to show that this cinema served to disseminate the national ruralist ideology among Argentines and, above all, among the colony of Spanish emigrants, many of them from the countryside

Art · Art history · Autarky · Drama · Economic history · Economics · Economy · Emigration · Humanities · Ideology · Literature · Movie theater · Political science · Cinema History and Criticism · History · Law · Media, Journalism, and Communication History · Spanish Culture and Identity

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Highly citedNo

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