The Melodramatic Imagination of a Pandemic
The Morning Show, a Revelatory Series about Trauma and Covid-19
Bibliographic Data
| ID | 22062750 |
|---|---|
| Authors | Marta Boni (0000-0001-6553-0844, corresponding author) |
| Year | 2026 |
| Volume | 24 |
| Publication date | 2026-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | TV/Series (JOURNAL) |
| Journal identifiers | ISSN: 2266-0909 • E-ISSN: 2266-0909 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/16jtf |
| OpenAlex | W7167847642 |
| Language | EN |
| References cited | 6 |
The Morning Show (Apple TV+, 2019-) follows the careers of two journalists who host a morning talk show in present-day New York, revealing the inner workings of a television industry in flux. This prestige series forges a unique pact with its audience by blending near-documentary realism with intense emotional displays and gripping plot twists. The narrative is grounded in current issues, such as streaming wars, the decline of traditional media, fake news, and the challenge to patriarchy post-#MeToo, notably integrating the Covid-19 pandemic as a central storyline in Season 2. As we will see, by employing a “melodramatic imagination,” the series amplifies emotional intensity to aid in processing collective trauma, mirroring the profound disorientation in a collapsing world. Combining affect theory, narratology, and television studies, this article examines how The Morning Show negotiates realism and dramatic excess, and explores the role of a new sentimentalism in navigating traumatic memory
Mirroring · Morning · Narrative · Patriarchy · Realism · Television series · Gothic Literature and Media Analysis · Memory, Trauma, and Commemoration · Radio, Podcasts, and Digital Media
| Citation velocity | historical |
|---|---|
| Highly cited | No |