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The Value of Cities of Words. Cavell on Perfectionism, Films, and TV Series

Bibliographic Data

ID22062784
AuthorsPaola Marrati (Institute of Contemporary Art, corresponding author)
Year2021
Volume19
Publication date2021-01-01
Open AccessYes
TypeARTICLE
VenueTV/Series (JOURNAL)
Journal identifiersISSN: 2266-0909 • E-ISSN: 2266-0909
PublisherOpenEdition (PUBLISHER)
DOI10.4000/tvseries.5060
OpenAlexW3161117666
LanguageEN
References cited7

This essay is inspired by Stanley Cavell’s attempt to renew, and to a certain extent redefine, the tradition of moral perfectionism lies his conviction that perfectionist attitudes are both constitutive of one aspect of philosophy, the one (that is) turned toward the knowledge of the self, and necessary for the survival of democratic societies. His work on Hollywood comedies and melodramas speaks directly to how intertwined personal change and democratic aspirations are in his view and to the philosophical and pedagogical value he credits popular films with. The claim of the essay is that contemporary TV series deserve the same philosophical attention that films have received and, subsequently, that Cavell’s ideas about what binds perfectionist quests for personal change and democracy are crucial in the present cultural and political landscape. The West Wing series is taken as an example

Media studies · Sociology · Statistics · Television series · Mathematics · Philosophy, Ethics, and Existentialism · Pragmatism in Philosophy and Education · Psychology · Social Psychology · Wittgensteinian philosophy and applications · Geology · Paleontology

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    Stanley Cavell•Inquiry•1958

  • Popular Cultures, Ordinary Criticism

    Sandra Laugier•Modern Language Notes•2012

  • What Is the Emersonian Event? A Comment on Kateb's Emerson

    Stanley Cavell•New Literary History•1994

  • Cruel Optimism

    Lauren Berlant•differences•2006

Highly citedNo

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