Afrofuturism and the Law
Bibliographic Data
| ID | 22065933 |
|---|---|
| Authors | Bennett Capers (corresponding author) |
| Year | 2022 |
| Volume | 9 |
| Issue | 1 |
| Pages | 1-7 |
| Publication date | 2022-03-26 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Critical Analysis of Law (JOURNAL) |
| Journal identifiers | ISSN: 2291-9732 • E-ISSN: 2291-9732 |
| Publisher | University of Toronto Libraries - UOTL (PUBLISHER) |
| DOI | 10.33137/cal.v9i1.38262 |
| OpenAlex | W4385589668 |
| Language | EN |
| Citations received | 1 |
Long before the film Black Panther captured the public’s imagination, the cultural critic Mark Dery coined the term “Afrofuturism” to describe “speculative fiction that treats African-American themes and addresses African-American concerns in the context of twentieth-century technoculture.” Since then, the term has been applied to speculative creatives as diverse as the pop artist Janelle Monae, the science fiction writer Octavia Butler, and the visual artist Nick Cave. But only recently have thinkers turned to how Afrofuturism might guide, and shape, law. This special issue, “Afrofuturism and the Law,” features articles that explore the many ways Afrofuturism can inform a range of legal issues, and even chart the way to a better future for us all
Aesthetics · Art · Political science · Sociology · Visual arts · Digital Games and Media · History · Law · Utopian, Dystopian, and Speculative Fiction
| Citations per year | 1 |
|---|---|
| Citation span | 2025 - 2025 (1) |
| Highly cited | No |