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Łyżeczki Menasa. O wierszu „Hagia Sophia” Andrzeja Buszy

Bibliographic Data

ID22094504
AuthorsPolska Uniwersytet Śląski w Katowicach, Joanna Kisiel (0000-0003-0400-2524, corresponding author)
Year2020
Volume15
Issue10
Pages298-311
Publication date2020-01-01
Open AccessYes
TypeARTICLE
VenueTematy i Konteksty (JOURNAL)
Journal identifiersISSN: 2299-8365 • E-ISSN: 2719-8561
PublisherUniversity of Rzeszow (PUBLISHER)
DOI10.15584/tik.2020.23
OpenAlexW3045576354
LanguageEN

An outstanding poem, “Hagia Sophia” by Andrzej Busza uses the historical context of early medieval Byzantium in order to describe the universal situation of a human being that confronts the ideas of God and divinity. While reading this poem, the deeper meaning of its reality and symbols putting forward the byzantine setting can be traced; moreover, such a process makes it possible to attempt at deciphering the mysterious inscriptions engraved on the silver spoons of Menas, the protagonist of this poem, with regard to the tragedy of human faith and doubt, an issue that has never lost its significance. In fact, this poem is a bitter and idiosyncratic meditation on the uncertainty embedded in human existence and the doubtful usefulness of the gifts of the Holy Spirit

Art · Central European Literary Studies · Polish Historical and Cultural Studies · Polish-Jewish Holocaust Memory Studies

Highly citedNo

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