Chicagowska wiosna Przybosia. O Tymoteuszu Karpowiczu promującym polską awangardę
Bibliographic Data
| ID | 22094591 |
|---|---|
| Authors | Polska Uniwersytet Śląski w Katowicach, Magdalena Kokoszka (0000-0001-8859-5552, corresponding author) |
| Year | 2020 |
| Volume | 15 |
| Issue | 10 |
| Pages | 282-297 |
| Publication date | 2020-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Tematy i Konteksty (JOURNAL) |
| Journal identifiers | ISSN: 2299-8365 • E-ISSN: 2719-8561 |
| Publisher | University of Rzeszow (PUBLISHER) |
| DOI | 10.15584/tik.2020.22 |
| OpenAlex | W3046048714 |
| Language | EN |
The text refers to the International Conference on Przyboś organised on April 8–9, 1992, at University of Illinois at Chicago, but the main character of the article is Tymoteusz Karpowicz, spiritus movens of that undertaking, the poet, dramatist and professor at UIC. The authoress of the text describes his attempts to popularise the Polish avant-garde tradition among American Polonia. She also tries to investigate the relationship between Karpowicz’s scientific and popular science activity and his aesthetic preferences, proposed poetry model or attitude to other poets (such as Cyprian Kamil Norwid, Bolesław Leśmian, Julian Przyboś or Czesław Miłosz). The article is a reflection on Karpowicz’s aesthetic and ethical requirements to art: his passion for unimitative literature models and the conviction that poetry is broader than words, that creativity and life are inseparable
Aesthetics · Art · Art history · Conviction · Creativity · Literature · Passion · Poetry · Political science · Sociology · Central European Literary Studies · Health, Work, and Social Studies in Poland · Language and Culture · Law · Philosophy · Psychology · Social Psychology
| Highly cited | No |
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