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Anthropology of Composite Images of the Etruscan Portrait

Bibliographic Data

ID22097262
AuthorsLarisa Yu Shpak (0000-0002-6936-9426, corresponding author), Larisa Iu Shpak
Year2023
Volume13
Pages735-747
Publication date2023-01-01
Open AccessYes
TypeARTICLE
VenueActual Problems of Theory and History of Art (JOURNAL)
Journal identifiersISSN: 2312-2129
PublisherSaint Petersburg State University (PUBLISHER • RU)
DOI10.18688/aa2313-9-59
OpenAlexW4390283733
LanguageEN
Citations received1
References cited4

In the invaluable for the physical anthropologist gallery of ancient faces represented by fine arts the Etruscan portrait occupies a special place. A large number of sculptural images of Etruscans are made in the genre of physiognomic portrait, which naturalistically conveys individual elements of the appearance, important for the descriptive analysis of morphological variability. Craniological and paleogenetic data regarding the origin of the Etruscans are very contradictory. In the scientific literature, there are practically no examples of works on the anthropological description of the appearance of the Etruscans based on the analysis of groups of various artistic sources and their visualization. The aim of the study was to obtain anthropological characteristics and composite portraits of three different groups of Etruscan artistic sources and to interpret them in the context of the Etruscan ethnogenesis. Funerary painting (6th‒3rd centuries BC) and funeral sculpture (3rd‒1st centuries BC), as well as votive sculpture of the 5th‒1st centuries BC (votive terracotta heads), were the research materials utilized. The studied groups of images have different informative value and reveal different degree of polymorphism regarding the characters of facial morphology. The most reliable source of information is found in the funerary sculpture. Composite portraits based on three groups of pictorial sources show ambiguous results regarding anthropological type: the picturesque portrait aligns most closely with the description of the Mediterranean type, the votive portrait takes an intermediate position, and the portrait on sarcophagi is most closely connected with the description of the Alpine type. To obtain comparative information and enhance the interpretation of our results, it is necessary to conduct an anthropological research of the fine art of other ancient cultures within the Mediterranean region

Art · Art history · Painting · Portrait · Sculpture · Terracotta · Visual arts · Forensic Anthropology and Bioarchaeology Studies

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    Open Access•Larisa Yu Shpak, Larisa Iu Shpak et al.•Actual Problems of Theory and…•2021

  • To the anthropology of the Etruscans

    Open Access•Ilya V Perevozchicov, Larisa Yu Shpak•Moscow University Anthropology…•2018

  • The image of a person in the votive tradition of the ancient Mediterranean (according to literary sources)

    Open Access•Larisa Yu Shpak•Moscow University Anthropology…•2020

  • Genetic evidence does not support an etruscan origin in Anatolia

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Citations per year0.5
Citation span2024 - 2024 (1)
Highly citedNo

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