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Independência e Proclamação

A releitura da linguagem da pintura acadêmica nos quadrinhos

Bibliographic Data

ID22100391
AuthorsJoão Pedro de Oliveira Martins (0009-0001-0829-4491, Universidade Federal do Rio de Janeiro), Marcelly dos Santos Ramos (Universidade Federal do Rio de Janeiro), Alberto Knewitz Lima (0009-0009-3957-5913, Universidade Federal do Rio de Janeiro), Marcus Vinícius De Paula (0000-0003-4870-9249, Universidade Federal do Rio de Janeiro)
Year2025
Volume13
Pagese238771
Publication date2025-10-27
Open AccessYes
TypeARTICLE
Venue9a Arte (São Paulo (JOURNAL)
Journal identifiersISSN: 2316-9877 • E-ISSN: 2316-9877
PublisherUniversidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER)
DOI10.11606/2316-9877.2025.v13.e238771
OpenAlexW4416151614
LanguagePT

It examines the graphic and ideological relationships between historical painting and Brazilian comic book productions that revolve around the Proclamation of Independence and the establishment of the Republic in Brazil. An iconological approach is employed to analyze and compare the graphic and ideological meanings arising from the citation of academic paintings as references in the production of nine Brazilian comic books whose themes address the cultural and political history of the Empire and the early Republic. Six of these works were produced in the 21st century, and two in the 1970s, during the military dictatorship. The aim is to identify various forms of interaction between these two media of communication - the erudite pictorial and the popular comics -, in order to expand the understanding of their intermedial relationship

Comics · Empire · Ideology · Painting · Politics · Proclamation · Comics and Graphic Narratives · History of Education Research in Brazil · Literature, Culture, and Criticism

Highly citedNo

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