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In the Era of Computers, Internet and Multimedia, are we still Teaching Composers to become Chapel-Masters

Bibliographic Data

ID22102705
AuthorsRodolfo Coelho De Souza (Hospital Universitário da Universidade de São Paulo, corresponding author)
Year2020
Volume8
Issue1
Pages1-14
Publication date2020-02-27
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRevista Vórtex (JOURNAL)
Journal identifiersISSN: 2317-9937 • E-ISSN: 2317-9937
PublisherUniversidade Estadual do Parana - Unespar (PUBLISHER)
DOI10.33871/23179937.2020.8.1.1-14
OpenAlexW3011163839
LanguageEN
Citations received1
References cited1

The ongoing paradigm shift from traditional methods of teaching music composition towards new approaches based on computer technology for sound production is the main focus of the article. The paper reviews the evolution of teaching methods throughout the Classical, Romantic and Modern periods, demonstrating how certain standard practices from former ages, based on the professional profile of the Chapel-Master, become theoretical golden principles for subsequent periods. After the French Revolution the traditional method of individual practical exchange between master and disciple was upgraded at the Conservatory. Classes for groups of students required a new approach based on theory abstraction. Although none of these teaching methods have been abandoned up today, a new paradigm appears when the tools of computer technology became widespread. An unpredictable equilibrium between the traditional methods and the new techniques of computer-assisted or computer-generated music composition tends to emerge

Abstraction · Art · Chapel · Computer technology · Epistemology · Literature · Mathematics education · Multimedia · The Internet · World Wide Web · Computer Science · Diverse Musicological Studies · Music and Audio Processing · Music Technology and Sound Studies · Philosophy · Psychology

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Unique citing works1
Citations per year0.2
Citation span2021 - 2021 (1)
Citation velocityhistorical
Highly citedNo

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