Poetry and Music Relationship in Let my Love be Heard by Jake Runestad
Bibliographic Data
| ID | 22102714 |
|---|---|
| Authors | Lucas Gabriel Almeida Bispo (0009-0007-7507-5823, Universidade Estadual Paulista (Unesp)), Luciano de Freitas Camargo (0000-0001-9326-8388, Universidade Estadual Paulista (Unesp)) |
| Year | 2026 |
| Volume | 14 |
| Pages | 1-34 |
| Publication date | 2026-02-20 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista Vórtex (JOURNAL) |
| Journal identifiers | ISSN: 2317-9937 • E-ISSN: 2317-9937 |
| Publisher | Universidade Estadual do Parana - Unespar (PUBLISHER) |
| DOI | 10.33871/vortex.2026.14.11041 |
| OpenAlex | W7130838621 |
| Language | EN |
| References cited | 8 |
This article has as its object of study the text-music relationship of Let my Love be Heard by Jake Runestad, composed for mixed choir. Traditional and contemporary analytical approaches were used, such as harmonic, thematic, formal, and musical topic analysis, in order to elaborate an analytical hypothesis that can reveal the structural relationships of the music in dialogue with the pre-existing poetry that constitutes the sung text of the work. For the realization of the topic analysis, it was necessary to propose a definition for the "elegiac topic," due to the absence of a clear definition of it by the theory authors
Musical · Poetry · Emergency Medicine Education and Research · Poetry Analysis and Criticism · Sound Studies and Aurality
| Highly cited | No |
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