Teledescante no1
Polyphony in time of plague
Bibliographic Data
| ID | 22102760 |
|---|---|
| Authors | Mauricio De Bonis (0000-0003-2650-2028, Universidade Estadual Paulista (Unesp), corresponding author), Fábio Scucuglia (0000-0001-8493-676X, Universidade Estadual Paulista (Unesp)) |
| Year | 2021 |
| Volume | 9 |
| Issue | 2 |
| Pages | 1-43 |
| Publication date | 2021-12-10 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista Vórtex (JOURNAL) |
| Journal identifiers | ISSN: 2317-9937 • E-ISSN: 2317-9937 |
| Publisher | Universidade Estadual do Parana - Unespar (PUBLISHER) |
| DOI | 10.33871/23179937.2021.9.2.5 |
| OpenAlex | W4200297793 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
This report contemplates an instrumental composition as a project for audiovisual production in social isolation, during the Covid-19 pandemic. Based on the problematization of the impact of the pandemic in music making, solutions were sought that were not only viable as an artistic result but that could also be projected in a purposeful and prospective way in times of humanitarian crisis, of dismal symmetry between capitalist neoliberalism and programmed neglect in public health policies. After a description of the research on the use of art in past pandemics as a guiding principle in the choice of materials, the audiovisual production is detailed. The piece was written in April 2020 as a result of the analysis of a Renaissance motet, which, in turn, was conceived as a tribute to a composer who had perished from the plague and as a palliative against the disease
Aesthetics · Ancient history · Art · Disease · Literature · Pandemic · Political economy · Polyphony · Problematization · Sociology · Architecture, Art, Education · Communication and COVID-19 Impact · History · Medicine
| Citations per year | 0.5 |
|---|---|
| Citation span | 2024 - 2024 (1) |
| Highly cited | No |