Feminist Philosophy and the Deconstruction of Patriarchy in Sefi Atta’s Everything Good Will Come
Bibliographic Data
| ID | 22105774 |
|---|---|
| Authors | Lare Damlègue (corresponding author) |
| Year | 2025 |
| Volume | 13 |
| Issue | 04 |
| Pages | 257-273 |
| Publication date | 2025-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Advances in Literary Study (JOURNAL) |
| Journal identifiers | ISSN: 2327-4034 • E-ISSN: 2327-4050 |
| Publisher | Scientific Research Publishing, Inc. (PUBLISHER) |
| DOI | 10.4236/als.2025.134018 |
| OpenAlex | W4415500359 |
| Language | EN |
| References cited | 2 |
The objective of this article is to analyse how Sefi Atta constructs feminist philosophy and uses narrative strategies to deconstruct patriarchal legacies and gender constructs that militate against women’s emancipation and welfare in Everything Good Will Come. Specifically, the study leans on African feminist theory proposed by Mary E. Modupe Kolawole to explore how Atta uses feminist consciousness to question the logic of customary laws and traditions put in place by men to oppress and exploit women. The study explores the thematic orientations of the novelist through language, setting and character portrayal. Specifically, the study examines how Sefi Atta deploys African feminist philosophy to expose and dismantle patriarchal structures in the novel. Relying mainly on Kolawole’s womanist framework, the study discusses education, professional agency, and female resistance as narrative vectors of emancipation. It argues that Atta’s portrayal of Enitan and other women re-centres female experience and calls for collaborative gender politics. The analysis positions the novel within broader post-colonial debates on sexism, socio-economic inequity, and cultural tradition
Atta · Emancipation · Feminism · Feminist philosophy · Feminist theory · Narrative · Patriarchy · Islamic Studies and History · Jewish and Middle Eastern Studies · Middle East Politics and Society
| Highly cited | No |
|---|