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On the Ethics of Imagination and Ethical-Aesthetic Value Interaction in Fiction

Bibliographic Data

ID22109366
AuthorsAdriana Clavel-Vázquez (0000-0002-0517-032X, Tilburg University, corresponding author)
Year2023
Volume9
Issue0
Publication date2023-07-17
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueErgo an Open Access Journal of Philosophy (JOURNAL)
Journal identifiersISSN: 2330-4014 • E-ISSN: 2330-4014
PublisherUniversity of Michigan Library (PUBLISHER • US)
DOI10.3998/ergo.3119
OpenAlexW4384499683
LanguageEN
Citations received3
References cited39

Advocates of interactionism in the ethical criticism of art argue that ethical value impacts aesthetic value. The debate is concerned with “the intrinsic question”: the question of whether ethical flaws/merits in artworks’ manifested attitudes affect their aesthetic value (Gaut 2007: 9). This paper argues that the assumption that artworks have intrinsic ethical value is problematic at least in regards to a significant subset of works: fictional artworks. I argue that, insofar as their ethical value emerges only from attitudes attributable to actual agents, fictional artworks only have extrinsic ethical value. I show that what is at stake for interactionism is whether ethical judgements concerning artists’ attitudes in a context, rather than manifested attitudes, are ever aesthetically relevant. I conclude that, without buying into extreme actual intentionalism, a still controversial theory of interpretation that ties artworks’ meaning to actual artists, interactionism fails to show that ethical flaws/merits are aesthetic flaws/merits

Aesthetics · Art · Criticism · Epistemology · Ethical theory · Interactionism · Literature · Social science · Sociology · Aesthetic Perception and Analysis · Ethics, Aesthetics, and Art · History · Philosophy · Visual Culture and Art Theory

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    Open Access•Steven Diggin•The British Journal of Aesthetics•2025

  • Bolzano’s Aesthetic Cognitivism

    Open Access•Emine Hande Tuna•Journal of the American…•2025

  • Beautiful, troubling art

    Open Access•Paul White, P Quinn White•Philosophical Studies•2025

  • The Nature of Fiction

    Open Access•Gregory Currie•Nature of Fiction•1990

  • Only Imagine

    Kathleen Stock•Only Imagine•2017

  • Art, Emotion and Ethics

    Berys Gaut, Berys Nigel Gaut•ART, EMOTION AND ETHICS.•2007

  • Aesthetics and Ethics

    Open Access•Jerrold Levinson•Aesthetics and Ethics•1998

  • Imagining stories

    Open Access•Neil Van Leeuwen•Philosophical Studies•2021

  • Where Ethics and Aesthetics Meet

    Open Access•A W Eaton•Hypatia•2003

  • The Moralistic Fallacy

    Justin D’arms, R D Jacobson et al.•Philosophy and Phenomenological…•2000

  • Moderate Moralism

    N Carroll•The British Journal of Aesthetics•1996

  • Autonomism Reconsidered

    J Harold, J B Harold•The British Journal of Aesthetics•2011

  • Fatal Prescription

    Open Access•Nils-Hennes Stear•The British Journal of Aesthetics•2020

  • Moderate Autonomism

    J C Anderson, J T Dean•The British Journal of Aesthetics•1998

  • Truth, Fiction and Literature

    Richard Gaskins, Richard Gaskin•The British Journal of Aesthetics•1995

  • Contemporary Debates in Aesthetics and the Philosophy of Art

    L Jones, L Gregory Jones•The British Journal of Aesthetics•2006

  • Aptness of Fiction-Directed Emotions

    Open Access•Moonyoung Song•The British Journal of Aesthetics•2019

  • The Interaction of Ethical and Aesthetic Value

    Robert Stecker•The British Journal of Aesthetics•2005

  • Immoralism and the Anti-Theoretical View

    Robert Stecker•The British Journal of Aesthetics•2008

  • The Meanings of "Imagine" Part II

    Open Access•Neil Van Leeuwen•Philosophy Compass•2014

  • The Meanings of "Imagine" Part I

    Open Access•Neil Van Leeuwen•Philosophy Compass•2013

Unique citing works3
Citations per year3
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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