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A Satirical Reading of Wole Soyinka’s A Play of Giants

Bibliographic Data

ID22109657
AuthorsAdemola Adenigbo (Auchi Polytechnic), Matthew Alugbin (0000-0003-2219-5155, University of Ibadan)
Year2020
Volume8
Issue6
Pages320
Publication date2020-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueInternational Journal of Literature and Arts (JOURNAL)
Journal identifiersISSN: 2331-0553 • E-ISSN: 2331-057X
PublisherScience Publishing Group (PUBLISHER • PK)
DOI10.11648/j.ijla.20200806.13
OpenAlexW3112583336
LanguageEN
References cited2

Satire is the literary art of diminishing a subject by making it ridiculous and evoking towards its attitudes manner in which the follies and foibles or vices are unmasked by the satirist. The great modern age of satire was the neo-classic period when the satiric spirit was everywhere present and a return was made to formal verse satire. This paper examines how Soyinka has responded to the socio-political and economic situation in Africa by creating A Play of Giants . It also examines how Soyinka, a sensitive playwright, in A Play of Giants mirrors events in the African society in such a daring and imaginative manner by satirizing them. The findings reveal that Soyinka presents his characters as hollow men to show their worthlessness and emptiness despite being at the helms of power. Soyinka reveals the hollowness of the characters exposing their linguistic incompetence. This study identifies some devices technically deployed by Soyinka to include irony, humour, wit, sarcasm and symbolism. Through the use of satire, Soyinka targets African political leaders who have become monsters because of the powers they wield. Wole Soyinka uses satire to raise the consciousness of the people and prick the conscience of the ruling political elite in Africa

Aesthetics · Art · Conscience · Consciousness · Elite · Emptiness · Hyperbole · Irony · Linguistics · Literature · Metaphor · Political science · Politics · Ridiculous · Sarcasm · History · Law · Philosophy · Postcolonial and Cultural Literary Studies · Shakespeare, Adaptation, and Literary Criticism

  • Wole Soyinka

    Abiola Irele, Biodun Jeyifo•Wole Soyinka•2004

  • Satire, humour and parody in 21st Century Nigerian women’s poetry

    Open Access•Bartholomew Chizoba Akpah•European Journal of Humour Research•2018

Citation velocityhistorical
Highly citedNo

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