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Critical reflections on female audiences

Reframing true crime narratives in audio-visual documentary for empowerment in Indonesia

Bibliographic Data

ID22110784
AuthorsKhaila Aliya Adjani (Multimedia Nusantara University), Tangguh Okta Wibowo (0000-0002-2619-6561, Multimedia Nusantara University, corresponding author)
Year2026
Volume12
Issue1
Publication date2026-12-31
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCogent Social Sciences (JOURNAL)
Journal identifiersISSN: 2331-1886 • E-ISSN: 2331-1886
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/23311886.2026.2675783
OpenAlexW7165162191
LanguageEN
References cited23

This article examines how women interpret their experiences with true crime documentary on Netflix in Indonesia. This article highlights the tendency of these productions to position women as victims while portraying male perpetrators in a more favorable light. Although these shows depict real criminal events involving women, the representation of women as weak and vulnerable reinforces existing social stigmas. Through in-depth interviews with five informants, the findings reveal that true crime media serves not only as entertainment but also as a learning medium that raises awareness of social stigma and societal perceptions of women as victims. The study demonstrates how such media perpetuates stereotypes that portray women as weak, easily manipulated, and often blamed for the crimes they suffer, thereby reinforcing societal narratives that hold women accountable for their own safety, even when placed in precarious situations. The article emphasizes the need for critical reflection on gender representation in media and recommends changes in how crime narratives are framed to avoid reinforcing negative stereotypes about women. This understanding aims to empower women in navigating the challenges they face within society

Cognitive reframing · Empowerment · Ethnography · Narrative · Social media · Crime Patterns and Interventions · Gender, Feminism, and Media · Law in Society and Culture

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    Phoebe Morton, Phoebe A Morton•Media Practice and Education•2021

  • Performing Heteronormativity

    Open Access•Ziya Toprak•CINEJ Cinema Journal•2020

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    Catalina Iordache, Tim Raats et al.•Studies in Documentary Film•2023

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    Rachel McCabe•Studies in Documentary Film•2022

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    Matthew C Nisbet, Pat Aufderheide•Mass Communication & Society•2009

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  • Performativity of rape culture through fact and fiction

    Open Access•Ashvin Immanuel Devasundaram, Ravinder Barn•International Journal of Cultural…•2020

  • Account-sharing programme

    Tangguh Okta Wibowo•Continuum•2024

  • Entertaining ideas

    Open Access•Bethany Klein•Media Culture & Society•2011

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  • Situated Knowledges

    Donna Haraway•Feminist Studies•1988

Citation velocityhistorical
Highly citedNo

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